Biographer is a mild upright script drawn by Angel Koziupa, with Alejandro Paul art directing and producing. Elegant but quite reminiscent of roman forms and proportions, Biographer keeps the calligraphy mostly toned down, but its ascenders and descenders occasionally flare out in final swashy confidence. As usual with Sudtipos fonts, alternates are plenty and the personal touch is never amiss. Biographer is great for women’s lit and poetry book covers, as well as tame packaging of products where conveying comfort and peace of mind is of importance. An extensive range of languages are covered (Western and Eastern European, Baltic, Turkish, Maltese and Celtic).
OTF | 1 Font | JPEG Preview | 3.6 Mb RAR
Ainslie Font Family $1008 | Designer: Jeremy Dooley 2013
42 OTF and WOFF Files | 72 Languages | 59 MB
- Get your Aussie on! The new typeface, Ainslie, with its mix of influences from Oz, makes its mark as the first semi-serif from insigne Design.
- Ainslie, named for Mt. Ainslie and Canberra’s inner suburb of the same name, was originally developed for the Canberra Australia Centennial Typeface Competition. Canberra is Australia’s capital, and it’s a planned city designed by American Walter Burley Griffin, a contemporary and one-time associate of Frank Lloyd Wright. Griffin’s plan involved a distinctly geometric design with several focal points--one of which was Mt. Ainslie. This same purely geometric scheme is now the basis for insigne’s new release.
- Similar to the Chatype project in its scope, its challenge, and the way its concept was developed, Ainslie incorporates influences from Canberra and surrounding areas to form a font that is uniquely Australian. In comparison, Chatype was developed for the city of Chattanooga, Tennessee by insigne in conjunction with designer Robbie de Villiers. Chatype took elements from Chattanooga’s industrial character and Cherokee past and merged them with the area’s technological influences.
- Likewise, Ainslie takes Canberra’s distinct, geometric design and blends it with the organic, flowing effect of aboriginal art. Add in touches from the smooth, aerodynamic design of the boomerang and Ainslie gives you a look uniquely Australian yet usable in a wide range of applications.
- The fashionable typeface includes a multitude of alternates that can be accessed in any OpenType-enabled application. These stylish alternates along with a number of swashes as well as meticulously refined details with ball terminals and alternate titling caps keep the font well accessorized. Also included are capital swash alternates, old style figures, and small caps. Peruse the PDF brochure to see these features in action. OpenType enabled applications such as the Adobe suite or Quark can take full advantage of the automatic replacing ligatures and alternates. This family also offers the glyphs to support a wide range of languages.
- While Ainslie wasn't selected as the final font in the Canberra competition, the outcome allowed for additional adjustments to the typeface. Several approaches were attempted for the final product including a technological hexagonal concept, which may still be developed to another form later. Some of the organic forms were removed and substituted with more abrupt endings, leaving the face looking pretty spiffy and a fair bit more legible. In the end, Ainslie was pulled back to the basic forms from which it was started.
- Give it a go for your next project. It’s guaranteed to be anything but a barbeque stopper.
Tooting Sans is a well-crafted, contemporary humanist sans. Designed for the needs of editorial, advertising and signage, Tooting Sans is not only suitable for setting large amounts of text at small sizes, it also has a presence and robustness for powerful headlines. Tooting Sans has slightly condensed letters with clean lines, open forms and predominantly straight terminals, although some vertical strokes have angled terminals for variation. This helps to keep the flow of the copy alive whilst being economical with space and legible in both text and headline usage. Released as an OpenType font, Tooting Sans expands upon the standard sans serif character set to include Greek and Cyrillic glyphs, small caps, oldstyle figures, proportional figures, ligatures and improved support for Latin-based languages.
OTF | 1 Font | JPEG Preview | 3.5 Mb RAR
A large and rare undertaking, Charcuterie is a family of ten distinct yet related typefaces, many of which have their own font families, and three decorative/ornamental typefaces. While most of the Charcuterie typefaces are outfitted with a standard character set, Charcuterie Engraved features 135 swash alternates and Charcuterie Cursive boasts 275. Charcuterie Frames offers a broad and endless approach to creating frames of any width, height and style. Featuring 60 corner elements and 20 top, bottom and side pieces along with a detailed User’s Guide in the ‘Gallery’ on how to construct the frames. Charcuterie Catchwords features nine different styles for a total of 82 glyphs. Charcuterie Ornaments is very practical and features 100 glyphs a vast array of arrows, brackets, rules, icons, ribbons and more. This ambitious, yet accessible, set offers a virtually endless series of combinations, allowing each designer to form a tasty platter of ingredients, one that is uniquely theirs, for each project. Used solo or blended with other fonts from this large family, elements of Charcuterie are well suited for headlines, titling, logos, display, packaging, signage, or advertising. Dig deep into each typeface to find a rich set of fonts (the number depending on the typeface), revealing variations upon variations. The word charcuterie means the preparation of meats. Today, it often refers to a wide and varied selection of meats served together, listed as a single, beautiful, and complex menu item. Charcuterie celebrates the personally crafted -- the sense of the human touch giving it a slightly rough edge that only adds to its charm. The ‘roughness’ derives from a slight stressing and small irregularities in some fonts. This bit of unevenness doesn't dominate the look -- it’s simply the personality and humanity of the type designer cooked into the final piece. Charcuterie is an homage to the inventiveness, passion, and care of peasants who proudly handed down recipes through generations. Their humble fare is used by bistro chefs to create masterpieces by ever so slightly transforming the simple into the sumptuous. Similarly, with Charcuterie the designer can employ the handcrafted look of the many letters within these font families to create a project that is jaunty, quirky, and juicy or one that is a gloriously rich and varied feast for the eyes.
OTF | 22 Fonts | JPEG Preview | 29.3 Mb RAR
Mynaruse Royale is an expansion of Mynaruse Titling. It features script capitals and widely tracked and smaller titling capitals. Mynaruse Royale has plenty of character and, with its powerful and sharp serifs it draws in the eye. Mynaruse Royale is useful in settings that call for titling with an extra touch of elegance, such as a storefront, wedding program or formal invitation. Mynaruse Royale contains a number of OpenType alternates, including alternate forms for the capitals that are large, drop cap like capitals instead of the calligraphic script capitals found in the default forms. Additionally, there are non-widely tracked lowercase forms that work well with the included alternate characters and ligatures. The lowercase forms are 80% smaller in height than the Mynaruse lowercase forms, so the families are not interchangeable, but they can be used together. The calligraphic script capitals could also be used separately as drop capitals. OpenType-capable applications such as the Adobe suite or Quark can take full advantage of automatically replacing ligatures and alternates. This family also includes the glyphs to support a wide range of latin based languages.
OTF | 6 Fonts | JPEG Preview | 4.7 Mb RAR
Rotokas is a sans serif typography. It is probably the first font designed exclusively to type Rotokas language. Spoken by Bougainville islanders (Papua New Guinea), Rotokas has the world’s smallest alphabet consisting of only twelve latin letters. This typeface has a great performance either on continuous text or at display sizes. Its rounded corners and insinuated ovoidal forms, inspired by papuan artworks, give this typography a warm and friendly feel.
OTF | 1 Font | JPEG Preview | 13.1 Mb RAR
Andes, designed by Daniel Hernández, is a display typeface that has neo-humanist characteristics. Its different terminals, among other elements, give it a look of mixed typography. Andes is a typeface with 10 Upright weights, 10 Italics & Condensed version, ranging from Ultra Light to Black, each of the same x-height. This typeface contains additional italic glyphs (a, y, z, g) that help to emphasise text or words. Andes is based on the design of Merced and both of them share several features. This type is well-suited for use in retail, magazines, logotypes, books, etc.
OTF | 10 Fonts | JPEG Preview | 1 Mb RAR
Schwager is a steampunk slab serif typeface with an industrial accent in a contemporary tone. Its strong structure and male, makes it ideal for titles, headlines and brands of male lifestyle, technology and trend. This typeface contains alternate glyphs that help to emphasize text or headlines.
OTF | 12 Fonts | JPEG Preview | 4.6 Mb RAR
Sisco is a complete font family of 18 weights intended for editorial use and brand identity. Open counterforms give it a touch of modernity and technological. Sisco is designed to be legible in small sizes in both paper and display devices. It contains a set of authentic Small Caps and various sets of numerals, fractions, ligatures, and an extensive map of suitable characters for most languages based on Latin characters. Sisco is a typeface that will bring the future to your graphic projects.
OTF | 18 Fonts | JPEG Preview | 4.9 Mb RAR
Following the success of the Ashemore family, is became clear that a rounded version of Ashemore would be a great addition to the product line that would allow designers even more design choices. Ashemore Softened’s rounder forms compliment the face well as the original font eschewed straight lines. The rounded terminators give the face a sense of friendliness that is unsurpassed. The distinct and flamboyant style of Art Nouveau and the Arts and Crafts style remain, but the blunted terminators give the face a more technological and contemporary look and feel. The Ashemore Softened family has a full range of six weights from thin to black and includes condensed and extended options for a total of 36 fonts. The typeface also includes some unique OpenType alternates that make the superfamily even more versatile. Ashemore Softened is equipped for complex professional typography, including alternates, small caps and many alternate characters. The face also has a number of numeral sets, including tabular figures, fractions, old-style, lining figures and superiors and inferiors. OpenType-capable applications such as Quark or the Adobe Suite can take full advantage of automatic ligatures and alternates. You can find these features demonstrated in the .pdf brochure. Ashemore Softened also includes the glyphs to support a wide range of languages, including Central, Eastern and Western European languages. In all, Ashemore Softened supports over 40 languages that use the extended Latin script, making the new addition a great choice for multi-lingual publications and packaging. The original Ashemore was designed by Jeremy Dooley with production assistance from Lucas Azevedo and Marcelo Magalhaes.
OTF | 36 Fonts | JPEG Preview | 9.3 Mb RAR
Aventura is burlesquely round, stylishly seductive, eternally sugar-fixed, and loving to a fault. Plenty of stylistic alternates are included to heighten the mood or soften it. Either way you look at it, there’s a lot of love in the air.
OTF | 1 Font | JPEG Preview | 4.2 Mb RAR
Kiddy Kitty is a soft and friendly sans-serif type family which consists of 6 upright italic and 5 italic weights. It supports Western and CE Latin and Cyrillic, and it also has some ligatures and swashes and 16 carefully drawn cat dingbats in each font. Kiddy Kitty is good for greeting cards, children’s books and package design. It is designed by Vasily Biryukov with some support of Alexandra Korolkova.
OTF | 11 Fonts | JPEG Preview | 2.6 Mb RAR
Samantha was designed with a focus on variety, versatility, beauty and practicality. With measured rhythm and contrasting, connected strokes, Samantha possesses a flowingly smooth elegance with the ability to take on many appearances, from simple styling to the fanciest of all flourishes with its 2700+ glyphs that take advantage of OpenType. Over 1100 alternate and swash letters feature ascenders and descenders that vary in length and complexity. Standard ligatures ensure that this font looks as perfect as possible and 20 discretionary ligatures enliven its style. Numerals are offered in their standard form, as well as an old style and a swash set too. The addition of 60 ornaments and 45 catchwords offer even more design possibilities.
OTF + TTF | 8 Fonts | JPEG Preview | 9.6 Mb RAR
An elegant modern typeface with a subtle monoline appearance. The simplicity of the design creates clean forms best suited to identity, editorial and advertising uses. Details include 6 weights with italics, an extended European character set, manually edited kerning and Euro symbol.
OTF | 12 Fonts | JPEG Preview | 3.6 Mb RAR
Leksa is an oldstyle, even a bit old-fashioned text family in 12 faces, including six upright and six italic ones, from Light to Black, with both oldstyle and tabular digits and true small caps. The typeface works best in the books of classical style, and looks good in both small and large point sizes. One of the main features of the typeface is its professionally-designed Cyrillic which (together with sans-serif companion Leksa Sans) was awarded for excellence in type design at Modern Cyrillic competition in Superfamilies category.
OTF | 12 Fonts | JPEG Preview | 2.1 Mb RAR
Zakia is informal script lettering font with a bunch of alternative characters to choose. Zakia uses OpenType feature such as swash and contextual alternates that can be found by using OpenType savvy program such as Adobe Illustrator and Adobe InDesign. Zakia font suitable for any kind of publications like logo design, branding, poster, packaging, website or blog, etc. It is stylish and flowing, feels like human handwriting by using a copperplate pen.
OTF | 1 Font | JPEG Preview | 4 Mb RAR
Bisque is designed with a sense of play and rhythm, with intermittent areas of quietness, bringing a sense of ‘bounce’ to text. The combination of classic typographic forms and proportions with expressive, contemporary features create a typeface with charisma and joy. The 2011 revision involved adding an extended glyph set for much wider setting applications.
OTF | 2 Fonts | JPEG Preview | 4.3 Mb RAR
Dexsar Brush is the high detailed brush font that has over 240 glyphs and equipped with OpenType feature for make custom feel for your design. This font is designed for design purposes such as t-shirts, logos, posters and etc.
OTF + TTF | 1 Font | JPEG Preview | 3.2 Mb RAR